Sterre Barentsen on Dufy's White Sail
In our "Close Ups", colleagues from the curatorial and education teams from the Museum Barberini discuss individual works from the Hasso Plattner Collection, shedding light on its creation, formal language, and reception. Here, Sterre Barentsen, assistant curator, talks about Raoul Dufy's painting The White Sail from 1906.
Close Ups from the Hasso Plattner Collection
Daniel Zamani on Monet's Port of Le Havre
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Jacqueline Hartwig on Monet's Poplars at Giverny
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Ortrud Westheider on Monet's Water-Lily Pond
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Sterre Barentsen on Monet's Houses of Parliament, Sunset
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Andrea Schmidt on Monet's Garden at Vétheuil
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Ortrud Westheider on Signac's Clipper
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Ortrud Westheider on Pissarro's Hoar-Frost
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Dorothee Entrup on Vlamincks Forest
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Dorothee Entrup on Monet's Rose Bushes in the Garden at Montgeron
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Andrea Schmidt on Sisley's House at Moret
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Dorothee Entrup on Monet's Les Petites-Dalles
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Andrea Schmidt on Caillebotte's Lilacs and Peonies in Two Vases
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Daniel Zamani on Cross' Bullfight
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Helene von Saldern on Gustave Caillebotte's Rue Halévy
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Andrea Schmidt on Pissarro's View of Bazincourt
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Daniel Zamani on Monet's Bordighera
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Helene von Saldern on Caillebotte's Couple on a Walk
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Daniel Zamani on Monet's Palazzo Contarini
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Daniel Zamani on Monet's Grainstacks
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Dorothee Entrup on Monet's Frost at Giverny
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Andrea Schmidt on Pissarro's Boulevard Montmartre
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Linda Hacka on Monet's Pond, Snow Effect
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Jacqueline Hartwig on Caillebotte's Argenteuil Bridge and the Seine
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Linda Hacka on Renoir's Path in the Forest
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Helene von Saldern on Le Sidaner's Window with Carnation
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Andrea Schmidt on Signac's Port-en-Bessin
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Dorothee Entrup on Sisley's Snow Effect in Louveciennes
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