The Museum Barberini has granted this painting as a loan to the exhibition Monet in Étretat, which is on view at the Seattle Art Museum from July 1 to October 21, 2021.

In the 1880s, Claude Monet spent several painting stints at the Northern French fishing village of Étretat. There, he executed around 80 compositions, many of which evolved as variations around one and the same motif. Taking its cue from one of the works in its own collection (Fishing Boats at Étretat from 1885), the Seattle Art Museum explores the role of Étretat in Monet’s artistic evolution. The painting from the Hasso Plattner Collection is displayed in the context of other compositions, in which the artist focused on the dramatic rock formation of the so-called Porte d’Aval.

The Museum Barberini has granted this painting as a loan to the exhibition Caillebotte: Impressionist and Modern, which is on view at the Fondation Pierre Gianadda in Martigny from June 18 to November 21, 2021. 

With his participation at the second Impressionist Exhibition in Paris in 1876, Gustave Caillebotte joined the burgeoning movement around Claude Monet. For a long time, his own contribution as a painter remained overshadowed by his fame as one of the earliest important patrons and collectors of Impressionism. The Fondation Pierre Gianadda now revisits his entire development as an artist in a monographic show that assembles around 90 selected paintings. Amongst the numerous international lenders are the National Gallery of Art in Washington, the Petit Palais in Geneva as well as the Musée Marmottan Monet and the Musée d’Orsay in Paris. With overall six paintings, the Collection Hasso Plattner boasts the most significant holdings of works by the artist in Germany.

The Museum Barberini has granted this painting as a loan for the exhibition Bon Voyage, Signac!, which is on view at the Wallraf-Richartz-Museum in Cologne from April 16 to August 22, 2021.
 
With Paul Signac’s Constantinople: Yeni Djami (1909), the Wallraf-Richartz-Museum in Cologne houses one of the artist’s late key works. The painting is the focus of the exhibition Bon Voyage, Signac!, which is laid out as an impressionist journey through the museum’s own collection and which, in addition to Signac, also includes paintings by Gustave Caillebotte, Paul Cézanne, Henri Matisse, Claude Monet and Vincent van Gogh. This museum’s own holdings of around 60 works are enriched by nine important Signac loans from collections in Europe and the USA, including paintings from the Musée d’Orsay in Paris and the Metropolitan Museum of Art in New York. The Museum Barberini is supporting the project with Signac’s The Port at Sunset (1892) – one of the first compositions the artist produced after his move to the Côte d’Azur. With a total of four works, the Hasso Plattner Collection has the most extensive holdings of Signac paintings anywhere in Germany.