Jacqueline Hartwig on Monet's Poplars at Giverny
In our "Close Ups", colleagues from the curatorial and education teams from the Museum Barberini discuss individual works from the Hasso Plattner Collection, shedding light on its creation, formal language, and reception. Here, Jacqueline Hartwig, assistant curator, talks about Claude Monet's painting Poplars at Giverny, 1887.
Close Ups from the Hasso Plattner Collection
Sterre Barentsen on Monet's Houses of Parliament, Sunset
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Daniel Zamani on Monet's Port of Le Havre
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Linda Hacka on Monet's Pond, Snow Effect
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Ortrud Westheider on Monet's Water-Lily Pond
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Andrea Schmidt on Monet's Garden at Vétheuil
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Jacqueline Hartwig on Caillebotte's Argenteuil Bridge and the Seine
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Ortrud Westheider on Signac's Clipper
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Linda Hacka on Renoir's Path in the Forest
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Andrea Schmidt on Signac's Port-en-Bessin
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Ortrud Westheider on Pissarro's Hoar-Frost
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Dorothee Entrup on Vlamincks Forest
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Sterre Barentsen on Dufy's White Sail
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Dorothee Entrup on Monet's Rose Bushes in the Garden at Montgeron
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Andrea Schmidt on Sisley's House at Moret
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Dorothee Entrup on Monet's Les Petites-Dalles
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Andrea Schmidt on Caillebotte's Lilacs and Peonies in Two Vases
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Daniel Zamani on Cross' Bullfight
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Helene von Saldern on Gustave Caillebotte's Rue Halévy
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Daniel Zamani on Monet's Bordighera
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Helene von Saldern on Caillebotte's Couple on a Walk
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Daniel Zamani on Monet's Palazzo Contarini
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Daniel Zamani on Monet's Grainstacks
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Dorothee Entrup on Monet's Frost at Giverny
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Andrea Schmidt on Pissarro's Boulevard Montmartre
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Dorothee Entrup on Sisley's Snow Effect in Louveciennes
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Helene von Saldern on Le Sidaner's Window with Carnation
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Andrea Schmidt on Pissarro's View of Bazincourt
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