Let's talk Synaesthesia: Maike Preißing x Julia Keinath
What does a sound look like? And what happens when colours don’t mix on a palette, but blend in the eye of the viewer instead? These are just some of the questions explored by Maike Preißing, a psychologist, synaesthesia artist and neurodiversity coach, in her podcast Let's talk Synaesthesia. Based in Oxford, Maike speaks to people from around the world about synaesthesia, a fascinating perceptual phenomenon in which different senses become intertwined, enabling sounds, colours, shapes, and other sensory stimuli to evoke unexpected associations.
Paul Signac: The Port at sunset, Opus 236 (Saint-Tropez), 1892, Oil on Canvas, 65 x 81 cm, Hasso Plattner Collection
The latest episode features Julia Keinath, an art historian and curatorial assistant at the Museum Barberini. She talks about the current exhibition Symphony of Colours. Paul Signac and Neo-Impressionism and how, together with Georges Seurat, Paul Signac developed a new painting technique in the mid-1880s: applying pure, unmixed dots of colour that come together to form an image not on the palette, but in the eye of the viewer. The technique was closely informed by contemporary discoveries in optics and the physiology of perception—connecting directly to the questions at the heart of Maike Preißing’s podcast: how we see, hear and experience the world, and how our senses shape our perception.
Available wherever you get your podcasts.
For those who would like to experience the subject live, Julia Keinath and Maike Preißing will meet again at the Barberini Get-together on 8 October. The evening will feature a Young Curators Talk, followed by the talk Interconnected Senses – How synesthesia influences our view of art and the world.
The event is exclusively open to students and trainees from Berlin and Potsdam, with free admission.